Jordin Isip | Nothing To Lose

The native. He can only be in two places—away or home. The indigenous figure in Jordin Isip’s iconic illustrations and paintings seem to have always been caught in between; have always belonged inside the frame while at the same time to only wander accidentally. A looming question trails each arrival: How did we get here?

Jordin Isip’s signature characters hold their own unique presence inside each border. With their prominent, cumbersome, and ovoid heads bearing hollowed eyes and nascent features resembling chiseled, primitive masks, they look eerily displaced, exotic. But through the viagra online canadian pharmacy props they possess, their stature, their conditions and through their motives inside the sildenafil 20 mg tablet picture, they lay claim to what is theirs: a field of tall grass, a bolo knife, a baseball bat, a cup of tea or a pile of books. They hold their pose, perfectly assuming each role. But inside those dark, hollow eyes and between those large, protruding ears we get a sense of what is really inside—a native coming to terms with his new surroundings.

Nothing To Lose is Brooklyn-based artist, Jordin Isip’s first solo exhibition in the Philippines. As a native of New York, he traces his roots cialiscoupon-freetrialrx.com from the Philippines, having migrant Filipino grandparents. His works are no stranger to Philippine soil, though. With his illustrations having been part of previous editions of The Philippine Yearbook and through international publications such as Rolling Stone, Newsweek, and Time Magazine, Jordin Isip’s distinctive style has been both eye-opener and influence to many younger generations of painters and illustrators living in the Philippines, which include the likes of Louie Cordero.

Jordin Isip has shown his works in many galleries, within New York and outside. He has curated over a dozen shows featuring artists all over the globe. But having a show in the Philippines holds a special place for the nature of his artworks, which deal with primitive appearances and topographies, and can be traced to a culture of minorities that has dealt with a colonial past. There are outgrowths of Southeast Asian Art, as well as African, Oceanic, and Mexican art that can be found in his works. And Manila is a soil filled with the same essence as his works: disjunctive, a brew of the native and the strange, a tribe of city-dwellers adapting to the west and beyond, a city wearing several masks.

With works done in mixed media, using collage and acrylic on paper, the figures exude that multi-layered concept. The process entails the shredding of paper, and the accumulation of images is drawn out from pictures of commodities and popular media. It celebrates this hodgepodge of culture as the essence of its creation, like a newfound mojo for a lost aboriginal icon.

Jordin Isip is only eager to have finally staged his own show in Manila, having co-curated several generic viagra 20 mg group shows in the past. For him, it is a case of now or never, and for his audience here, it is a welcoming for a prefigured native, the same way the characters in his paintings have become a relatable concept for Filipinos all over the world.

With his achievements, Jordin has received recognition from American Illustration, The Art Directors Club, Communication Arts, Print, and Society of Illustrators. His art has been exhibited throughout the U.S. and in Berlin, London, Manila, Paris, and Rome. He has buy original cialis curated several group exhibitions including “Mystery Meat” at Future Prospects in Cubao, Philippines. He lives and works in canadiancialis-pharmacyrx.com Brooklyn and teaches at Parsons and Pratt.

– Cocoy Lumbao