Diabolic Fields, a two-man exhibition by artist brothers Jason and Joseph Tecson is envisioned as a complex dialogue between their individual work-paintings and sculptures in a head to head confrontation in a pure setting. A pure setting, the white neutrality of a gallery space may be akin to the primordial garden where their common interest in investigating the contemporary concepts and themes about power, violence, genericviagra4sexlife technology, sex, death and belief are fore grounded in their allegorical consumption of the forbidden fruit which is either the motive for artistic creation or the pathos to a struggling mortality. The forking paths of this struggle has developed strains of differences conceptually and aesthetically in their own art practice.
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Joseph Tecson’s process in creating art involves very raw and instinctual feelings that gravitate towards a deep aesthetical and emotional understanding of his subjects. Most of the images that he chooses to work with are relatively anonymous but they truly resonate a command within him both aesthetically and emotionally: “ A sort of instant bond is created within me when I first see an image, not unlike having a gut feeling when presented with a dilemma or even a feeling of déjà vu when seeing familiar alien objects and places that relate to past as well as current events in my life. A sort of powerful raw emotion compels me to “free” these images from their current form and transform them into their rawest and purest state in my paintings.”
A pattern eventually surfaces upon closer examination of the images that Joseph chooses to show. Images closer to violence, death and pain are a few of the themes that are explored. “I try to challenge the reality within an image and test if the concept is changed or eroded through the
distortion of forms. I also try to examine if generic viagra online the same qualities are translated when other viewers look at my work as both artist and audience are constantly testing, or are being tested by, the painting.”
Jason
Paul Tecson’s uncanny sculptures and installations draw http://genericviagra4sexlife.com/ from a wide spectrum of sources and themes, ranging from the historical to viagra 500 current electronic mass media. Fabricated using mostly industrial materials, their ambiguous figurations and mask-like faces are sometimes reminiscent of ancient archetypes or futuristic extra-humans. Ultimately, Jason aggressively invents his own rules of constructing there forms which ominously echo the anxiety, paranoia and hallucinogenic madness of contemporary reality.
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