Jethro Jocson
In his latest solo show “Ascent,” Jethro Jocson once again is cialis generic safe explores his more liberal interpretations of spirituality—that is, convictions that are at once decidedly humanist, yet seemingly founded on largely conservative Christian beliefs. In each of his surreal visual narratives, Jocson tackles the idea of man’s ascent as the progression into a life after death, coupled with the notion that the current plane of existence is but preparation for what lies beyond the grave.
As with his previous works, Jocson takes on a given set of icons, which draws on implications from popular culture as well as the artist’s own assigned meanings. The paper airplane, for example, connotes the Spirit, the paper boat the Journey or the Ascension, the window Portals, and the balloon the Soul.
What is perhaps most interesting about Jocson’s take on the theme of man’s spiritual ascension, is the departure from the traditional religious associations between life and death. Despite the adamant connections to religiosity, such as the images of catholic nuns and priests, the notions of spirituality in Jocson’s works are mostly hinged on http://genericviagra100mg-quality.com/ secularist interpretations. His piece “Even the Gods Want sildenafil 20 mg to Go to Heaven,” for example, alludes to generic cialis sexual ecstasy even as it depicts a heavenly ascent. Here, the apples represent love, sex, and pleasure, while the boat represents the final ascent into the life hereafter.
Indeed, while notions of spirituality and the afterlife are frequently associated with more conservative values and moralities, Jocson instead seems to celebrate the rich experiences of both humanity and the flesh—love, sex, sildenafilcitrate-100mg-rx.com etc.—as the best preparation for eternity. Both “The Invisible Transmission of Qualities” and “Love Humility Dignity and Serenity” explore the qualities of love between couples—a deeply-rooted and complex online pharmacy in jordan love that has matured over time.
In a final, odd twist, however, the concluding piece viagra kaufen in the series, “Inclination,” which depicts a priest blessing the darkness before him, goes back to the more dogmatic ideas of right and wrong, good and bad. Here, when faced contraindications of cialis with evils, to “ascend” beyond this is to buying viagra in ireland online rise above the situation and achieve a kind buy viagra of enlightenment. At the end of it all, Jocson seems to put forth the necessity for both faith and religion beyond the riches of life and the pleasures of the body.
One online pharmacy hormones interesting aspect of this series is how the figures of a priest and a nun stand in for human beings. As this underscores the fact that these servants of God are viagra effectiveness over time still very much human, it inadvertently questions the normalcy cialis online uk pharmacy of a life of abstinence for any human being.
While Jocson’s work often deals, if tangentially, with more esoteric themes, this series is the first to directly address spirituality and religion, as well as prominently employ images that are directly associated to these ideas.
Here, paradoxical notions of goodness, spiritual progression, the spiritual generic viagra online canadian pharmacy life, and, of cheapcialisforsale-online course, man’s ascension into something beyond himself are played against each other, as sildenafil citrate 20 mg the artist attempts to rationalize the necessity of religion and a kind of spirituality, against the impossible gravity of today’s reality.