Residuals, Intervals, Aftermath.

This exhibition explores the recurring cycle of chaos, departure, and rest. Rather than existing as separate events, these states overlap, leaving behind traces, residue, and fragments that shape what follows. The paintings dwell in moments of aftermath, where activity has ended but its presence continues to linger.

Figures, interiors, and everyday scenes emerge through layers of paint only to dissolve again, remaining familiar without becoming fixed. Occupying the space between figuration and abstraction, the works examine how perception shifts rather than illustrating specific narratives. Recognition is interrupted, allowing viewers to complete the image through their own experience.

My practice is driven by the tension between construction and erosion. I build and disrupt the surface at the same time, allowing forms to appear, disappear, and re-emerge. Rather than documenting events, the paintings retain their atmosphere and emotional residue. Throughout the exhibition, movement and stillness, presence and absence, and order and disorder coexist, leaving meaning open rather than fixed.